Established
MMXXIV
The Design Annual · Edition One
Set in
New York

Dexter B&rrett

DisciplineResearch, interaction, interface & the odd physical object — shipped end-to-end.
In service ofAccessibility, legibility, and a quieter screen.
MaterialsType, grids, motion, code, sensors, silicone — shipped behaviour.
CurrentlyOpen to selected commissions — see Contact.
Foreword

A working catalog of
interfaces & the spaces
between them.

Vol. I · MMXXVI — 04 works · 03 years Set in Fraunces & Plex Mono

I'm a product designer with a love for systems thinking and narrative craft. I believe great design doesn't announce itself — it simply makes sense. My work lives at the intersection of rigorous research, elegant interaction, and thoughtful visual language.

The four projects in this edition all share a quiet ambition: to make life a little more accessible, a little more efficient, and a little less loud. A ring that watches the market so you don't have to. A glove that teaches your hands to cook. A pair of glasses that lets a blind person walk through New York. And a printed financial journal — a speculative rebrand of a public crypto exchange that dares to look like an actual paper.

The pages that follow list the work first as a numbered index, then as plates — full case studies in their own right — followed by a short essay on how I work, a colophon, and a way to reach me. Please, take your time.

Practice

A designer with range,
not a specialist stuck in the middle.

Research through shipping. Screens through silicone.
The work moves across surfaces because the problems do.

  1. I.

    Research

    Field interviews, journey maps, competitive teardowns, and the third-coffee insight the brief never mentions.

  2. II.

    Interaction

    Flows, states, prototypes, motion. The choreography between a person and the thing they're holding.

  3. III.

    Interface

    Type, grids, systems, components. Screens and sites that hold up under repeated use.

  4. IV.

    Physical

    Wearables, haptics, industrial form. A ring for the market, a glove for a knife, glasses for a blind commute.

  5. V.

    Shipping

    Front-end code, PWAs, quiet deploys. Solo projects taken from sketch to MVP without a handoff meeting.

Featured Plates

Four works · 2024 — 2026
PLATE I.   № 001 2025

Haptic Market — a quieter way to trade

A smart ring paired with AI agents that watch the market for you — pulsing only when a trade is genuinely worth your attention. A response to financial doomscrolling.

PLATE II.   № 002 2025 — 26

MISE — an invisible chef, on hand

Smart glasses paired with a haptic glove that teach cooking the way a chef would — by guiding your hand. The embodied skills no book or video can transmit.

PLATE III.   № 003 2024 — 25

Stride — walking, by sound

AR smart glasses that help blind people safely navigate dense city environments. Spatial audio, haptic guidance, and a tiny patient voice that knows the way.

PLATE IV.   № 004 2026

Gemini — the oldest new money

A speculative rebrand of a publicly-traded crypto exchange, staged as a printed financial journal. A refusal of the crypto gradient. A campaign titled Made Public.

II.

How I work.

Discover¹

Research, stakeholder interviews, competitive analysis, and user empathy mapping to understand the problem space. The thing the project is for rarely shows up in the brief; it shows up around the third coffee.

Define²

Synthesize insights, define personas, map journeys, and establish clear design principles and success metrics. I treat principles as guardrails, not garnish — they have to make decisions easier later.

Design³

Ideate solutions, create wireframes and prototypes, establish a visual language, and iterate based on feedback. I draw screens before I draw systems, and systems before I draw screens.

Deliver

Handoff to development, create documentation, conduct usability testing, and refine based on real-world usage. The artifact of design is not a mockup; it is a shipped behaviour.

Read the long version

Colophon

Get in touch.

Correspondence
Studio
New York · by appointment
Hours
Mornings, mostly. Reply within 48 hours.
Currently
Open to selected commissions.
Set in
Fraunces (display, body) & IBM Plex Mono (labels).
Built with
Hand-set HTML & CSS. No frameworks. No tracking.
Elsewhere
Edition
№ 01 · Vol. I · 2026